§ 00Brittney Pilarcik
A renaissance
girl.
A creative force moving between literature, music, and digital strategy — raised in a music shop in southern Spain, at home in seven countries, and fluent in the languages of both art and code. Her work as an author, playwright, musician, and SaaS strategist has built a global internet portfolio and more than 30 million streams across TikTok, Meta, and Spotify.
Classically trained and digitally fluent. Whether scoring original musicals, building AI ventures, or writing fiction, the through-line is the same: a disciplined, prolific practice that moves easily between the acoustic and the algorithmic — and, in quiet hours, returns to art and music for the pure pleasure of making.
§ 01A note on the title
Why renaissance girl.
Years ago in Prague, an editor at Bloomberg called me a renaissance girl. I was a little offended at first, then realised he had a point — and quietly made the phrase my own.
I am interdisciplinary by nature and prolific by practice: a playwright, author, cellist, and digital strategist who has lived in seven countries, speaks several languages, and grew up inside the hum of a family music shop. I build SaaS businesses, publish records, write fiction, and still return to art and music in my free time — because the work is not separate from the life. What follows is that same habit, kept in order.
§ 02Manifesto
A working creed.
Andalucía · Prague · Cambridge · everywhere else
I was raised inside a music shop on the southern coast of Spain — a room of rosin, valve oil, and the low hum of instruments waiting to be played. I have carried that room with me into seven countries and every discipline since.
I write books and plays. I score musicals and publish records under a production company that has crossed thirty million streams across TikTok, Meta, and Spotify. I build AI and SaaS ventures for operators across the EU and MENA. I speak several languages, keep a family mango farm alive with one thousand trees, and still spend quiet hours drawing, making, and returning to the cello.
The renaissance impulse is not a brand. It is a working method: refuse the border between art and industry, between the acoustic and the algorithmic, between the shop floor and the boardroom. Show up prolific. Ship the poem, the platform, the album, the harvest. Then begin again.
— Author · Playwright · Musician · Digital strategist
§ 03Directory
The work, organised.
Seven practices, grouped into three quiet threads: written and recorded work, family-run projects in Andalucía, and a small set of ventures and handmade things. Read them in any order.
- 01Curriculum VitaeAcademia Guiu, Universitat de Barcelona, Prague College, and the University of Cambridge ICE — followed by a decade of technical and editorial work.
- 02AuthorPoetry, plays, and long-form. Published for six years across chapbooks and collaborations.
- 03MusicCello, piano, and a production company that has published over 200 albums.
- 04VenturesCreative media, SaaS, and internet ventures — always building the next one.
- 05Mango FarmA family farm in the south of Spain — one thousand trees, tended by hand.
- 06Music ShopA family-run music shop in the south of Spain and Valencia — twenty years and counting.
- 07HandmadeSmall objects, drawings, and things I like to make by hand.